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  • SEASON 8
    Escape

    For TANK’s eighth season we present ten films spanning eight decades on one of cinema’s most enduring themes: escape. As our collective future appears increasingly blighted by global crises, cinema offers us a way to rethink and reframe how the search for other worlds might generate new ideas for our own. With films by Kryzsztof Kieślowski, Deniz Gamze Egüven, Andrei Tarkovsky, François Ozon, Cristian Mungiu, Hal Hartley, Atom Egoyan, Jean Vigo, Michael Haneke and Louis Malle – offering stories that cross borders, identities and contexts – this season looks at escape anew, not as resignation from our environment, but as re-engagement with it.

  • The Double Life of Veronique

    Krzysztof Kieślowski | 1991

    EXIT

    The Double Life of Veronique

    Krzysztof Kieślowski | 1991

    WATCH NOW TRAILER AFTERTHOUGHTS

    A metaphysical masterpiece, Kieślowski’s The Double Life of Veronique casts Irène Jacob as both Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. The pair don’t know each other, yet their lives exist in a shimmering, uncertain and mystical parallel, a doubling induced by Kieślowski’s cinegraphic resonance and Zbigniew Preisner’s symphonic score. 

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    Maddie Mortimer’s debut novel Maps of Our Spectacular Bodies won this year’s Desmond Elliott Prize and was, last week, shortlisted for the Goldsmiths Prize. Saskia Dixie is an independent filmmaker whose work has been screened at the Institute of Contemporary Art, London, ALEX Berlin, Germany and the Barbican Centre, London, amongst others. Here, they discussed their post-viewing impressions of Ingmar Bergman’s Summer with Monika as the credits roll.  

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  • Mustang

    Deniz Gamze Ergüven | 2015

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    Mustang

    Deniz Gamze Ergüven | 2015

    WATCH NOW TRAILER AFTERTHOUGHTS

    Deniz Gamze Ergüven’s Oscar-nominated debut, Mustang, fizzes with the restlessness of childhood, as we follow five orphaned sisters growing up in rural Turkey. Set among a conservatve community where marriageability is king, the girls’ dreams of independence and freedom are soon curtailed for a rigorous domestic education and a queue of potential suitors. Narrated by the youngest, Lale, who rebels against her pre-determined fate, Mustang is an unforgettable depiction of female struggle.

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    Thomas Roueché is editor at TANK. Dea Gjinovci is a Swiss-Albanian filmmaker based between Paris and Geneva. Her first feature documentary film, Réveil sur Mars, follows a 10-year-old Roma boy living in Sweden as he attempts to come to terms with the mysterious Resignation syndrome that has put his two sisters in a coma; it was nominated for Best Documentary Film at the Swiss Film Awards earlier this year. Here, Thomas and Dea discuss their immediate post-viewing impressions as the credits roll on Mustang. 

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  • Nostalghia

    Andrei Tarkovsky | 1983

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    Nostalghia

    Andrei Tarkovsky | 1983

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    Tarkovsky’s Nostalghia immerses us in a distinctly Tarkovskian world of dreamlike waterlogged landscapes, alienated artists and apocalyptic dread, as we follow poet Andrei Gorchakov travelling through Italy researching the life of 18th-century composer, Pavel Sosnovsky. Released in 1983, towards the end of Tarkovsky’s industrious career, Nostalghia is filled with reflections on exile, time and memory, beautifully rendered through his protracted, oneiric sequences, each of which feel like their own exquisite artwork.

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  • Le Refuge

    François Ozon | 2009

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    Le Refuge

    François Ozon | 2009

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    Ozon’s restrained feature follows Mousse (Isabelle Carré), a drug addict who discovers she’s pregnant after her lover Louis (Melvil Poupaud) dies of an overdose. Grieving and alone, she decides to keep the baby, and flees from Louis’ disapproving mother to a house by the sea. Le Refuge is about the safety we seek in other people, and the unpredictable places we find it. As Ozon stated: “What I wanted to do here was to start with darkness, violence, cruelty, and go towards light.”

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  • Graduation

    Cristian Mungiu | 2016

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    Graduation

    Cristian Mungiu | 2016

    WATCH NOW TRAILER AFTERTHOUGHTS

    How far will a parent go to secure the best for their children? This is the moral question at the heart of Cristian Mungiu’s parabolic work Graduation, set in modern-day Transylvania in Romania. Graduation follows the increasingly convoluted methods that Romeo, a middle-aged doctor, undergoes to fix the exam results of his daughter Magda, who has a scholarship to Cambridge University. Inspired by Mungiu’s problematizing of his own role as a father, Graduation is a moving meditation on the whisker-thin line between virtue and corruption.

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    Matthew Janney is a writer and former managing editor at TANK. Paula Erizanu is a writer and journalist and previous culture editor at The Calvert Journal. Here, they discuss their immediate post-viewing impressions as the credits roll on Graduation.  

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  • Amateur

    Hal Hartley | 1994

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    Amateur

    Hal Hartley | 1994

    WATCH NOW TRAILER AFTERTHOUGHTS

    From the bath, Thomas looks up at Isabelle and asks, “How can you be a nymphmaniac and you’ve never had sex?” She, smoking, thinking: “I’m choosy.” Amateur is the story of a truly zany trio: ex-nun turned pornographer Isabelle, ex-pornographer turned amnesiac Thomas and his vengeful ex-partner sex-worker Sofia, enmeshed in a blackmail plot with a crooked businessman. A playful and freewheeling film that nevertheless strikes a serious note: can anyone ever be sure they know who they really are?

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    Rosa Lyster is a writer from Cape Town who lives in London. Leo Robson is a literary and cultural critic. Here, they discuss their immediate post-viewing impressions as the credits roll on Amateur.

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  • Calendar

    Atom Egoyan | 1993

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    Calendar

    Atom Egoyan | 1993

    WATCH NOW TRAILER AFTERTHOUGHTS

    Egoyan’s Calendar is a slowly unfolding story about diasporic fracture. A photographer (Egoyan himself) and his wife, both second-generation Armenian-Canadians, travel to Armenia to take pictures for a commercial calendar. While his wife becomes increasingly immersed in the culture, landscape and people of their shared homeland, the photographer hides himself ever-further behind his viewfinder. Egoyan’s deeply personal film traces the growing alienation between the couple, while the landscapes and historical sites of Armenia bloom before the lens.

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    Devorah Baum is an author and Associate Professor in English Literature and Critical Theory at the University of Southampton. Josh Appignanesi is a film director, producer, and screenwriter. Here, they discuss their immediate post-viewing impressions as the credits roll on Calendar.

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  • L'Atalante

    Jean Vigo | 1934

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    L'Atalante

    Jean Vigo | 1934

    WATCH NOW TRAILER AFTERTHOUGHTS

    Made only weeks before Vigo’s death, aged 29, from tuberculosis, L’Atalante follows Jean, a barge captain, and Juliette, his young wife, aboard Jean’s boat L’Atalante in the water-sluiced and murky weeks of their early marriage. The waterways and damp environment of the canals between Paris and Le Havre form a muddy framework for their volatile and sometimes surreally-inflected romance, whose partings and passions are as changeable as water.

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    Omoba Antoinette Oyinkansola Fernandez is an SFF writer and graduate from The London Film School. Andrew Key writes Roland Barfs Film Diary and is the author of Ross Hall, a novel about Jean-Jacques Rousseau (Grand Iota, 2022). Here, they discuss their post-viewing thoughts as the credits roll on L'Atalante.

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  • Amour

    Michael Haneke | 2012

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    Amour

    Michael Haneke | 2012

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    Michael Haneke’s Amour follows the relationship of retired musicians and music teachers Anne and Georges, after a stroke severs the everyday serenity of their long life together. The film’s uncompromising and disarming account of the toll of ageing and illness is inflected by love and the act of caretaking, which appears in uncommon but recognisable forms. As Haneke himself said of the film: “People always fight to maintain their dignity, and the more difficult the situation you’re in, the bigger the battle. That’s our fate as humans.”

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  • Black Moon

    Louis Malle | 1975

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    Black Moon

    Louis Malle | 1975

    WATCH NOW TRAILER AFTERTHOUGHTS

    A psychological shapeshifter of a film, Louis Malle’s Black Moon is a flickeringly Freudian slink through the aftermath of some unspecified apocalyptic event. The beautiful young Lily navigates a dark and dank countryside in which a mysterious war is being fought, taking refuge in a farmhouse where she becomes entangled in the strange workings of a family.

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    Mary Wild is a film researcher, writer, lecturer and co-host of The Projections Podcast. Isabel Millar is a philosopher, psychoanalytic theorist and screenwriter. Here, they discuss their post-viewing thoughts as the credits roll on Black Moon.

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SEASON 11
Forbidden Colour

These kaleidoscopic films by visionaries Bergman, Bidgood, Bakari, Greenaway, Herzog, Pasolini, Ozu, Jarman and Rosso represent the most enchanting, troubling and shocking uses of colour in cinematic history.

SEASON 10
Lives of the Saints

There can be no sainthood without struggle, and for Ingmar Bergman, Pier Paolo Pasolini, Robert Bresson, Margaret Tait, Carl Th. Dreyer, Hirokazu Kore-eda, Christopher Newby, Liv Ullman, Toshio Matsumoto, Timothy Neat, Jamil Dehlavi and Edward Bennett, the divine vision is in the details.

SEASON 9
Conception

TANK’s ninth season, featuring films by John Cassavetes, Jean Cocteau, Terence Davies, Peter Greenaway, Werner Herzog, Derek Jarman, Takeshi Kitano, Akira Kurosawa, Ingmar Bergman, Mike Leigh, Laura Mulvey & Peter Wollen and Yasujiro Ozu, show that between the idea and the story there is a universe of possibility.

SEASON 7
Back to Earth

TANK presents ten films selected by the curators at Serpentine Galleries, as part of their multi-year project Back to Earth. Showing films by Agnès Varda, Andrey Zvyagintsev, Gianfranco Rosi, Charlie Chaplin, Luc Jacquet, Bela Tarr, Thomas Vinterberg, Lars von Trier and Babak Jalali.

SEASON 6
Ritual

This season, we present 10 films spanning six decades by directors who train their lens on this ancient human practice, who, in doing so, capture the often unsaid behaviours and gestures that make us us. Showing films by Andrei Tarkovsky, Andrew Haigh, Andrey Zvyagintsev, Jean-Luc Godard, Michael Haneke, Agnès Varda, Corneliu Porumboiu, Aki Kaurismäki and Atom Egoyan.

SEASON 5
Metamorphosis

We are pleased to be showing you 10 films spanning seven decades from the greatest names in cinema, including Andrei Tarkovsky, Wim Wenders, Paolo Sorrentino, Agnès Varda, Béla Tarr, Paweł Pawlikowski, Gabriel Axel, Robert Bresson, Olivier Assayas and Atom Egoyan.

SEASON 4
On Versimilitude

This season, we are pleased to be showing 12 films spanning seven decades from the greatest names in cinema, including Andrei Tarkovsky, Michael Haneke, Paolo Sorrentino, Agnès Varda, Louis Malle, Roy Andersson, Andrea Arnold, Hal Hartley, Denis Villeneuve, Peter Strickland, Alejandro Jodorowsky and Mia Hansen-Løve. Through rich storytelling and technical nuance, these directors bring to light cinema's raw power to move and to persuade, and perhaps, to flicker more truthfully than life itself.

SEASON 3
Sculpting in Time

We look at films spanning five decades that approach time in profound ways, featuring Abbas Kiarostami, Paolo Sorrentino, Agnès Varda, Yorgos Lanthimos, Roy Andersson and more. From the hyper-real to the arcane, each provides its own portal into what Tarkovsky described as the “inner, moral qualities essentially inherent in time itself”.

SEASON 2
Growing Pains

Filmmakers return to childhood because while it is universal, it is rarely identical. Whether delving deep into the turbulent experience of our earliest years or tracing their reverberations into adolescence and adulthood, these twelve films journey back to where it all begins.

SEASON 1
Beyond Varda

With director Agnès Varda’s death in 2019, the film world lost a leading (and too-often overlooked) member of the Nouvelle Vague, a cinematic innovator and a pioneering voice. This season of TANKtv marks that legacy with 10 films by female directors for whom Varda laid a cinematic foundation.