Alessandra Facchinetti is an Italian fashion designer and currently creative director at Harlan + Holden. She previously held leading roles at Gucci, Moncler, Valentino and Tod’s and in 2018, designed over 90 unique costumes for a production of Verdi’s 1867 opera, Don Carlos, at Theatre St. Gallen, Switzerland. Masoud Golsorkhi is editor-in-chief at TANK. Here, they discuss their immediate post-viewing impressions as the credits roll on The Great Beauty.
Guy Mackinnon-Little is assistant editor at TANK. Nasreen Osman is TANK’s project coordinator. Here, they discuss their immediate post-viewing impressions as the credits roll on A Man Escaped.
Matthew Janney is managing editor at TANK. Jaleh Brazell is TANK’s editorial intern. Here, they discuss their immediate post-viewing impressions as the credits roll on Babette’s Feast.
Nasreen Osman is TANK’s project coordinator. Jaleh Brazell is an editorial intern. Here, they discuss their immediate post-viewing impressions as the credits roll on Faces Places.
Guy Mackinnon-Little is assistant editor at TANK. Matthew Janney is TANK’s managing editor. Here, they discuss their immediate post-viewing impressions as the credits roll on Andrei Rublev.
Nasreen Osman is TANK’s project coordinator. Jaleh Brazell is an editorial intern. Here, they discuss their immediate post-viewing impressions as the credits roll on The Clouds of Sils Maria.
Guy Mackinnon-Little is assistant editor at TANK. Matthew Janney is TANK’s managing editor. Here, they discuss their immediate post-viewing impressions as the credits roll on Ida.
Atom Egoyan is one of the most celebrated filmmakers on the contemporary scene, whose work has earned him numerous awards at international film festivals, as well as two Academy Award nominations. Raised in Canada, Egoyan’s nuanced films draw heavily on his Armenian heritage as well as themes of trauma, displacement and power. Nadifa Mohamed was born in Somalia and moved to Britain in 1986. She is the author of the award-winning novels Black Mamba Boy and The Orchard of Lost Souls and was counted among Granta’s Best of Young British Novelists in 2013. Her latest book, The Fortune Men, is out with Penguin in May. Here, they discuss their immediate post-viewing impressions on The Sweet Hereafter, the creative limits of literature and film, and translating stories for new mediums.
Matthew Janney is managing editor at TANK. Carmen Gray is a freelance journalist, film critic, and programmer from New Zealand who now lives in Berlin. Publications she has written for include The New York Times, The Guardian, The Observer, Art Review, Sight & Sound and The Calvert Journal, often focusing on the art and culture of Eastern Europe and the Caucasus. Here, they discuss their immediate post-viewing impressions as the credits roll on The Turin Horse.
Daphne Fernberger is currently a freelance dancer, working variously for the Merce Cunningham Trust and Margie Gillis Legacy Project among others. She has a deep understanding and passion for the body and the body in movement. A graduate of The Juilliard School and American Ballet Theatre’s Jacqueline Kennedy Onassis School, she began her professional career with Cedar Lake Contemporary Ballet, and continued at Dresden Frankfurt Dance Company. She is joined by Christabel Stewart, TANK’s arts editor. Here, they discuss their immediate post-viewing impressions as the credits roll on Pina.