TANK MAGAZINE | Issue 97 | BUY THIS ISSUE |
- Editor’s Letter: choosing to leave Omelas. By Masoud Golsorkhi,
- MANIFESTO: an homage to motion. Photography by Sohrab Golsorkhi-Ainslie, styling by Caroline Issa,
- WILD STRAWBERRIES: Max Mara’s latest inspiration is Swedish feminist Selma Lagerlöf. Photography by Otto Masters, styling by Eve Bailey,
- Faces Places: up close and personal with CHANEL beauty. Photography by Olivia Ezechukwu, make-up by Zoe Taylor,
- ALL THE RAVE: four DJs wrap up warm in Khrisjoy. Photography by Morgan Roberts, styling by Eve Bailey and text by Matteo Pini,
- VOYAGES IN SCENT: Romantic poet Chatsworth Greenwood-Pemberton-Thornton pens odes to six fragrances,
- MARKET VALUE: Pepe Jeans in Portobello. Photography by Otto Masters, styling by Eve Bailey,
- FRIENDS OF THE HOUSE: Stefano Pilati gets friendly with Fendi. Photography by Alessandro Oliva, styling by Elettra Simos,
- Kathryn Scanlan: the writer takes us to the racetrack. Photography by Jacq Harriet, styling by Chris Chidi.
- Above the clouds of engadin: walking in the air above St Moritz. By Jan-Peter Westad,
- Field Work: where art, agriculture and amethysts meet. By Minna Coke,
- Spice up your life: in Dijon, mustard still hits the spot. By Hester van Hensbergen,
- FAIR PLAY: Vienna marks 150 years of the World Fair – what does this iteration have to say about the European project? By John Merrick,
- FOREGROUND figure: in Tuscany, art is found in surprising places. By Nell Whittaker,
- SEAROAD: Ursula K. Le Guin’s landscape shiver to life. By Kinza Shenn,
- THE NEGATIVE HAND: deep underground, a hand reaches out from 300,000 years ago. By Cici Peng,
- THE WISDOM OF PEARLS: how do you make a pearl? By Sohrab Golsorkhi-Ainslie and Nell Whittaker,
- ISTANBUL AND THE MODERN: what does Renzo Piano’s new museum say about Turkey? By Masoud Golsorkhi,
- To Cast a soul: Lucy McKenzie’s models in Turin. By Christabel Stewart,
- Who among us?: on Ismail Einashe’s strangers. By Carolina Drake,
- ISLAND STORIES: at the edge of the world, an unlikely rugged luxury. By Esmé Hogeveen,
- Elemental Architecture: Alejandro Aravena discusses his incremental approach. Interview by Masoud Golsorkhi,
- MIRROR MIRROR: Martin Wong, Clones of Bruce Lee, 1981.
- ARCHETYPE: new figurations with Alaïa. Photography by Paolo Barbi, styling by Alessandro Ferrari,
- At Your Convenience: the corner shops, bodegas, konbini and tiendas of the world,
- TIME AND EMOTION: driving in fast cars with Cartier. Photography by Joss McKinley, styling by Hannah Baxter,
- Next Stop: waiting for the bus, from Barcelona to Beirut,
- REBIRTH OF VENUS: trash becomes treasure in Bangkok. Photography by Fee-Gloria Grönemeyer, styling by Eric Tobua and Peeraya Pechpansri and text by Augustine Hammond,
- Big Pharma: indispensable fashion, from streets around the globe,
- Country File: Ruralmania. Photography by Andy Massaccesi, styling by Alessia Vanini,
- The Comfort of Strangers: Dior celebrates the intricate craftwork and robust feminism of Mexico. Photography by Arianna Lago, styling by Simone Konu-Rae.
- Bhanu Kapil: “I’m interested in a form something almost like exhaustion”,
- Dorothy Cross: “It was perfect, but it was incongruous and horrifying”,
- Alan Palomo: “You always write what you know, and to some extent, there are notes of my dad who was a popstar in Mexico”,
- Lara Bohinc: “You don’t want to go crazy and start talking to your furniture, but it can be something that’s good to hang out with”,
- FLORENCE KNIGHT: “When you’re sitting on a bus and someone’s eating a McDonald’s, you’re participating in the sensory experience”,
- TONI STOECKL: “Every single guest room has a moss wall”,
- DAN MITCHELL: “I guess in comparison to gallery art it’s wonderfully slutty”,
- LEE UFAN: “I want people to feel happiness and eternity in the moment they pick up a cup of coffee”,
- LAUREN AIMEE CURTIS: “The idea that there is a ‘right’ or ‘wrong’ way is ridiculous”,
- ESRA ÖZYÜREK: “Society set out to liberate itself from Nazi fathers and their stuffy conservative families under the assumption that antisemitism was a personality failure”.