Streaming now, our season on Chantal Akerman, the pioneering feminist filmmaker who transformed our understanding of cinema – subscribe now for just £3/month
Streaming now, our season on Chantal Akerman, the pioneering feminist filmmaker who transformed our understanding of cinema – subscribe now for just £3/month
Jonathan Anderson hit his stride at Dior, upping the "pretty" quotient of the collection while retaining the quirks and fantasy of his debut. Classic house codes—lace, the New Look jacket, and the Roger Vivier curved heel—all made appearances, striking a nice balance between the Jonathan POV and Dior’s history.
The set was an architectural feat: a glass structure that replaced the usual "black box" to reveal views of the Eiffel Tower and a pond where lily pads and floral props glided across the water. We may have baked inside that clear structure—with the sun hitting the UK press section particularly hard—but the collection was enough to make us forgive the steamy situation.
Miuccia and Raf found a brilliant rhythm for Prada AW26 with a "wardrobe in motion." In a clever twist, only 15 models—headlined by Bella Hadid—walked the runway four times each, shedding layers with every pass. It was a masterclass in the "human" messiness of dressing: adding, peeling back, and starting over.
House codes felt beautifully weathered: shrunken, frayed coats met utilitarian parkas over delicate tulle, all with a purposeful, "lived-in" wrinkle. The accessories were pure POV—specifically those feather-heeled boots and kitten heels dripping in chandelier crystals.
Luke and Lucie Meier leaned into a "softer" power for Jil Sander AW26, trading their usual clinical minimalism for an intimate, chocolate-carpeted set. The collection was all about "enveloping" luxury: cocooning capes and quilted textures that felt like high-fashion upholstery.
The signature sharp tailoring remained, but it was softened by rounded shoulders and tactile, voluminous knits. While the sheer amount of fabric occasionally felt a bit weighted, the jewel-toned silks and silver-toed boots kept the POV grounded. It wasn't a radical shift—more of a thoughtful "settling in" that felt more human than high-concept.
In the second episode of the series, TANK visits The Design Studio by Azza Fahmy in Cairo. We talked to Azza and her daughters – Fatma (CEO) and Amina (Head of Design) – on the transmission of emotion and knowledge through jewellery collections, enterprise and education.
Today, risk is everywhere, from incipient AGI to climate tipping points to rising authoritarianism to mass antibiotic resistance. In certain fields, such as insurance, mathematics and healthcare, risk is quantifiable – something you can build markets around and base premiums on. Yet other forms of risk are less easy to define. Please welcome the Risk issue.
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Azza Fahmy is Egypt’s most famous jewellery brand. Earlier this year, TANK flew to Cairo to find out how the family-owned brand draws on the country’s rich history to create work of great narrative power. In conversations with the founder and her daughters during a visit to the atelier, we find out how their contemporary pieces manage to expand beyond traditional symbolism and into the realm of modern-day poetry.
The fourth episode of My Dinner with Sumayya features a profound encounter between architect Sumayya Vally and author and editor, Fatima Bhutto. Bhutto, a voice of elegance and moral authority, discusses her latest book, Gaza: The Story of a Genocide, co-edited with Sonia Faleiro – as well as her childhood in Damascus, the limits of writing, and how the genocide has broken her world apart.
In our third episode of My Dinner with Sumayya, the architect sits across the table from British artist and writer Lynette Yiadom-Boakye, reknowned for her portraits of fictitious Black figures with their rich, dark palette and almost eerie sense of animation. Sumayya and Lynette discuss colour and its absence, the nature of the figurative, and the decay inherent in the very idea of paint.
In the first episode of a new, original series My Dinner with Sumayya, the acclaimed architect Sumayya Vally sits down for an intimate, searing conversation with sound artist Lawrence Abu Hamdan. The series, inspired by the cult 1981 film My Dinner with Andre, is formed of far-ranging conversations between Sumayya and those whose work shapes our world: architects, musicians, artists and more, all shot on location at Mayfair’s beautiful Park Chinois restaurant. Lawrence is the founder of Earshot, the world's first not-for-profit organisation dedicated to the study of sound – with Sumayya, he discusses Earshot’s work reconstructing Saydnara prison from testimony of what prisoners heard, and more recently, corroborating the call from Hind Rajab from inside a bullet-punctured car.
In the second episode of our original series My Dinner with Sumayya, shot on location at Mayfair’s Park Chinois, the acclaimed architect Sumayya Vally sits down with Pakistani-American singer and songwriter Ali Sethi. This month, Ali released his debut solo album, Love Language, and he and Sumayya discussed the album’s hybrid, exuberant sensibility, the experiential nature of art, resistance to categorisation, and the importance of infinity.
The electronic experimentalist on Christianity, Houston, and his sprawling new album Eroica 2: Christian Nihilism.
The Irish experimentalist discusses collaboration, their new album Songs for Nothing and the infinite wisdom of Sinéad O'Connor.
The Kampala-based metal innovator discusses collaboration and his new album The Adept.
The New York industrial rockers spell it out for us.
The Danish poet and songwriter on love, loss and Luton Airport.
Come with us to the Ombria, an inland region of the Algarve far from the crowded coast. Here is a place of peaceful labour, human and animal alike, as basket-weavers work in the bee-loud glades.
For TANK's winter travel issue, Masoud Golsorkhi travelled to the Indonesian island of Sumba, where horses and water buffalo take to the seas. Transport yourself to an altogether more pleasant reality with Masoud's short film from the island – and read the feature dispatch here.
Loewe stays gentle, in a season defined by soft shapes and inviting textures. Video by Lorenzo Canci. Music by Luca Rigat and Andrea Valenti.
Photography: Alessandro Oliva
Styling: Cecilia Broschi
Hair: Simone Prusso at Walter Schupfer Management
Make-up: Martina Bolis at Green Apple
Production: Roberta Ripamonti
Casting: Diego Maffezzoni
Styling assistants: Gaia Capociuchi and Gaia Berlincioni
Lighting assistants: Andrea Luna and Giorgio Garzella
Thanks to Spazio Loft
Jeremy King, London's most stylish restaurateur, has built a career marked by high-stakes gambles and a resounding spirit of generosity. On the site of his latest venture at Simpson’s in the Strand, he spoke to TANK about what gives a restaurant its soul. Video by Ali Golsorkhi-Ainslie.
Architectural functionalism meets measured softness in Holzweiler’s winter-ready clothes, on and off the piste.
Photography and videography: Melissa Schriek
Styling: Anna Claassen
Set design: Floor Knaapen
Hair: Sophie Wortelboer
Make-up: Kato Fierkens
Casting: Carmen Young
Photography assistant: Fleur Keijzer
Styling assistant: Katerina Familiarskaia
Set-design assistant: Tessa Hemink
Models: Annabel van Tongeren and Djairo Mulder
Come behind the scenes on the set of our Things shoot at TANK GPS, where we showcase this season's finest fashions. Video by Ali Golsorkhi-Ainslie.
Photography: Sohrab Golsorkhi-Ainslie
Styling: Caroline Issa
Hair: Saiko Hayashi
Make-up: Kite Chuang using Anastasia Beverly Hills
Casting: Carmen Young
Photography assistant: Francesco Zinno
Styling assistant: Bella Magee
Hair assistant: Ayumi Ohama
Models: Anna Virag Seck and Selina Pillay at Linden Staub and John Ganbat at Established Models