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Editor’s Letter: choosing to leave Omelas. By Masoud Golsorkhi,
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MANIFESTO: an homage to motion. Photography by Sohrab Golsorkhi-Ainslie, styling by Caroline Issa,
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WILD STRAWBERRIES: Max Mara’s latest inspiration is Swedish feminist Selma Lagerlöf. Photography by Otto Masters, styling by Eve Bailey ,
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Faces Places: up close and personal with CHANEL beauty. Photography by Olivia Ezechukwu, make-up by Zoe Taylor,
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ALL THE RAVE: four DJs wrap up warm in Khrisjoy. Photography by Morgan Roberts, styling by Eve Bailey and text by Matteo Pini,
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VOYAGES IN SCENT: Romantic poet Chatsworth Greenwood-Pemberton-Thornton pens odes to six fragrances,
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MARKET VALUE: Pepe Jeans in Portobello. Photography by Otto Masters, styling by Eve Bailey,
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FRIENDS OF THE HOUSE: Stefano Pilati gets friendly with Fendi. Photography by Alessandro Oliva, styling by Elettra Simos,
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Kathryn Scanlan: the writer takes us to the racetrack. Photography by Jacq Harriet, styling by Chris Chidi,
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Above the clouds of engadin: walking in the air above St Moritz. By Jan-Peter Westad,
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Field Work: where art, agriculture and amethysts meet. By Minna Coke,
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Spice up your life: in Dijon, mustard still hits the spot. By Hester van Hensbergen,
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FAIR PLAY: Vienna marks 150 years of the World Fair – what does this iteration have to say about the European project? By John Merrick,
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FOREGROUND figure: in Tuscany, art is found in surprising places. By Nell Whittaker ,
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SEAROAD: Ursula K. Le Guin’s landscape shiver to life. By Kinza Shenn,
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THE NEGATIVE HAND: deep underground, a hand reaches out from 300,000 years ago. By Cici Peng,
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THE WISDOM OF PEARLS: how do you make a pearl? By Sohrab Golsorkhi-Ainslie and Nell Whittaker,
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ISTANBUL AND THE MODERN: what does Renzo Piano’s new museum say about Turkey? By Masoud Golsorkhi,
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To Cast a soul: Lucy McKenzie’s models in Turin. By Christabel Stewart,
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Who among us?: on Ismail Einashe’s strangers. By Carolina Drake,
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ISLAND STORIES: at the edge of the world, an unlikely rugged luxury. By Esmé Hogeveen,
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Elemental Architecture: Alejandro Araveno discusses his incremental approach. Interview by Masoud Golsorkhi,
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MIRROR MIRROR: Martin Wong, Clones of Bruce Lee, 1981,
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ARCHETYPE: new figurations with Alaïa. Photography by Paolo Barbi, styling by Alessandro Ferrari,
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At Your Convenience: the corner shops, bodegas, konbini and tiendas of the world,
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TIME AND EMOTION: driving in fast cars with Cartier. Photography by Joss McKinley, styling by Hannah Baxter,
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Next Stop: waiting for the bus, from Barcelona to Beirut,
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REBIRTH OF VENUS: trash becomes treasure in Bangkok. Photography by Fee-Gloria Grönemeyer, styling by Eric Tobua and Peeraya Pechpansri and text by Augustine Hammond,
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Big Pharma: indispensable fashion, from streets around the globe,
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Country File: Ruralmania. Photography by Andy Massaccesi, styling by Alessia Vanini,
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The Comfort of Strangers: Dior celebrates the intricate craftwork and robust feminism of Mexico. Photography by Arianna Lago, styling by Simone Konu-Rae,
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Bhanu Kapil: “I’m interested in a form something almost like exhaustion”,
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Dorothy Cross: “It was perfect, but it was incongruous and horrifying”,
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Alan Palomo: “You always write what you know, and to some extent, there are notes of my dad who was a popstar in Mexico”,
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Lara Bohinc: “You don’t want to go crazy and start talking to your furniture, but it can be something that’s good to hang out with”,
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FLORENCE KNIGHT: “When you’re sitting on a bus and someone’s eating a McDonald’s, you’re participating in the sensory experience” ,
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TONI STOECKL: “Every single guest room has a moss wall”,
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DAN MITCHELL: “I guess in comparison to gallery art it’s wonderfully slutty”,
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LEE UFAN: “I want people to feel happiness and eternity in the moment they pick up a cup of coffee”,
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LAUREN AIMEE CURTIS: “The idea that there is a ‘right’ or ‘wrong’ way is ridiculous”,
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ESRA ÖZYÜREK: “Society set out to liberate itself from Nazi fathers and their stuffy conservative families under the assumption that antisemitism was a personality failure”,
