Stanley wears a top by Oscar Ouyang, shorts and belt by George Greig and shoes by Miu Miu.
All of Hanna’s clothes are by Dsquared2.
All of Hanna’s clothes and accessories are by Rabanne.
All of Hanna’s clothes and accessories are by Sportmax.
All of Stanley’s clothes are by Oscar Ouyang.
All of Stanley’s clothes are by Oscar Ouyang. His shoes are by Miu Miu.
Shoe by Lili Curia.
Shoe by Christen.
All of Hanna’s clothes and accessories are by Simone Rocha.
Hannah wears a dress by Simone Rocha and eye mask by Slip. Her bag is by Simone Rocha.
High tea under the sea – Hermès sets the table with some seaweed-y tableware
Don’t get shell-shocked. Florence West’s cowrie creations for Labrum are ocean-born, and artfully worn
All of Hanna’s clothes and accessories are by N.21.
What’s in the bag? If you ask Fendi, the answer is an amethyst-coloured sequin lining
Believe what you see! Kyle Ho’s authoritative silhouettes will have you floating on air
Cats appear and reappear throughout the art and archive of Iliazd, the polymathic Georgian artist
The work of Georgian-Polish and French writer and artist Ilia Zdanevich, more commonly known as Iliazd, is perhaps under-recognised in his own right. Celebrated with the succinct exhibition The Study of Form (2025–2026) at the Dalle Nogare Foundation in Bolzano, the forms Iliazd designed and constructed reflected his eclectic interests: architecture (Byzantine churches in particular), travel itineraries, cartography, geological specimens and printmaking. The latter was perhaps his most celebrated pursuit at the time, with Iliazd designing patterns for the textile industry, and printing and composing his words into unique shapes on his precious chine and japon papers.
His career encompassed many notable collaborations, from Coco Chanel, for whom he designed intricate geometric fabrics that would move elegantly even after being cut in a bias bind, to Marcel Duchamp, for whom Iliazd’s encyclopaedic knowledge of pattern geometry helped Duchamp to realise his famous multimedia work La Boîte-en-valise (1935–1941).
His contributions to the creation of expressive forms evoke the transdisciplinary approach of art historian Aby Warburg, whose Nachleben theory – literally translated as “afterlife” or “survival” – describes the persistent and transformative presence of images and symbolic forms from the past. The Russian avant-garde theory of “Toustism” or “everythingism” provides a similarly useful gloss.
An all-encompassing artistic philosophy aiming to overcome the limitations of previous movements by embracing and combining elements from all eras, the theory was not in search of a banal eclecticism, but rather looked to synthesise disparate styles across time and place.
Among the most personal and recurring motifs in his work was that of his relationship with his many cats. Each was closely documented, with meticulous records of their needs and likes and beautifully illustrated birthday cards, worthy of inclusion in one of the world’s many cat museums, such as the KattenKabinet in Amsterdam. Christabel Stewart
Installation image from Toutité – Iliazd: The Study of Form (2025). Photo by Tiberio Sorbillo. Courtesy Fondazione Antonio Dalle Nogare.
We’ve got the love bug for Azza Fahmy’s scarab collection, and its ancient connection to risk and reward
In Tarot, the Queen of Cups stands for intuition, wisdom and beauty. Naturally, she wears Miu Miu
All of Hanna’s clothes and accessories are by Miu Miu.
